How could you apply the resources to your own teaching practice?
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Visit the Shades of Noir (SoN) consider how you could use this resource in your practice and answer the questions above.
How could you apply the resources to your own teaching practice?
SoN has a rich website with manifold of resources, reading lists, statements, examples, case studies, community support, and journals and events. There are infinite ways to explore and include these resources in the classroom; given the breath of SoN and my teaching subject, I think listing intersections is a bit of a moot exercise (everything could be used in any way).
Given my own stake in decolonizing the academy, I feel particularly drawn to Elito Circa, D.Bryant Archie and Stan Squirewell.
#idlenomore
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
When discussing inclusive digital design, I could use the different SoN publications to illustrate living examples, rather than relying on personas (or mock-up fictional case studies) or “extreme users”- (the awful name that is given to marginal uses in computing and software engineering design).
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Hildebrandt, D. and Hindi, H., 2020. Extreme Users. Journal of Business Anthropology, 9(2), pp.407-419.
Huh, J. and Ackerman, M.S., 2009. Designing for all users: including the odd users. In CHI’09 Extended Abstracts on Human Factors in Computing Systems (pp. 2449-2458).
Pullin, G. and Newell, A., 2007, July. Focussing on extra-ordinary users. In International Conference on Universal Access in Human-Computer Interaction (pp. 253-262). Springer, Berlin, Heidelberg.
Ratto, M., Record, I., Coons, G. and Julien, M., 2014, October. Blind tennis: extreme users and participatory design. In Proceedings of the 13th Participatory Design Conference: Short Papers, Industry Cases, Workshop Descriptions, Doctoral Consortium papers, and Keynote abstracts-Volume 2 (pp. 41-44).
Read Hahn Tapper (2013) ‘A pedagogy of social justice education: social identity, theory and intersectionality’, Pp. 411-417 (and see diagram on p.426) this can be found in the blog PDF within moodle. Discuss two things you learnt from the text. And one question/provocation you have about the text.
How could you apply the resources to your own teaching practice?
Item 1 to discuss:
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Watch the Ted talk video “Witness Unconscious Bias” video.
How could you apply the resources to your own teaching practice?
Whilst the points and themes approached in the video are important and valid, I think the resource is overall too short to fit my teaching agenda. The resource is – in my opinion – not in-depth enough to offer any the required substantial value to white students; and is too traumatizing for BAME and colonized students without offering adequate support.
I would be keen to find alternative sources that are less dwelling trauma and focus more on Joy, empowerment and encourage, than making my students unnecessarily relive trauma.
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
The topic is central to my pedagogical curriculum – of trying to get future innovators and digital designers to think inclusively about technology. My students are actively researching issue such as postcolonial computing, anti-racist AI design, intersectional software engineering
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Review ‘Retention and attainment in the disciplines: Art and Design’ Finnigan and Richards 2016. Discuss two things you learnt from the text. And one question/provocation you have about the text.
I am glad to see that the topic of “crit” as normalizing practice in Art and Design is recognized as skewed practice. I am currently designing some dissertation peer-crit events and will revisit my brief/event planning to include the pointers from the text.
The work of Bourdieu on Race and the Arts’ replication of injustice. The quote from p.6 is excellent.
For Bourdieu, it is an ‘obvious truth’ (Bourdieu, 1991) that art is implicated in the reproduction of inequalities, and that the relationship between culture and power is such that taste creates social differences. Certain kinds of art can only be decoded, and appreciated by those who have been taught how to decode them (Bourdieu, 1984). The cultural capital of the working classes, and certain ethnic groups, is devalued and delegitimised (Bourdieu, 1984). (Burke and Mcmanus 2012, p. 21)
Furthermore the report states (same page): Bhagat and O’Neill (2011a) discuss how the concept of cultural capital is pervasive in art education within widening participation ‘where the disciplines of Art and Design as ‘creative subjects’ see themselves focusing on ‘talent’ rather than privilege’ (Bhagat and O’Neil 2011a, p.20). They posit that this view needs to be problematised and critiqued and that it is important to understand
The construction of talent and deconstruction of narratives of isolated inspiration is extremely helpful to see revisited in this fashion. Particularly being considered an elite university in the field, makes this an important and pertinent consideration to have/make. A fantastic provocation to take further on board.
Question: A methodological toolbox that emerged from the survey could be useful to replicate similar investigations in new sites/orgs/institutes.
How could you apply the resources to your own teaching practice?
I will rethink my upcoming critiques and see what changes I can make to include aspects from the report.
I am currently using clarity and transparency and student-led learning remits as a means to objectify the marking process. The report will be useful in pushing this further.
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
See answer above
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
As I have not yet applied the resources I have no examples to cite.
However readings I am familiar with which make similar points are:
Manning, E., 2018. Me lo dijo un pajarito: Neurodiversity, black life, and the University as we know it. Social Text, 36(3), pp.1-24.
Eberhardt, J.L. and Fiske, S.T., 1994. Affirmative action in theory and practice: Issues of power, ambiguity, and gender versus race. Basic and Applied Social Psychology, 15(1-2), pp.201-220.
Peer critique (that needs further racial unpacking)
Guerin, C., 2014. The gift of writing groups: Critique, community and confidence. In Writing groups for doctoral education and beyond (pp. 128-142). Routledge.
Carlino, P., 2012. Helping doctoral students of education to face writing and emotional challenges in identity transition. In University writing: Selves and texts in academic societies (pp. 217-234). Brill.
Li, L.Y. and Vandermensbrugghe, J., 2011. Supporting the thesis writing process of international research students through an ongoing writing group. Innovations in Education and Teaching International, 48(2), pp.195-205.
Catterall, J., Ross, P., Aitchison, C. and Burgin, S., 2011. Pedagogical approaches that facilitate writing in postgraduate research candidature in science and technology. Journal of University Teaching & Learning Practice, 8(2), p.7.
Ferguson, T., 2009. The ‘write’ skills and more: A thesis writing group for doctoral students. Journal of Geography in Higher Education, 33(2), pp.285-297.
Caffarella, R.S. and Barnett, B.G., 2000. Teaching doctoral students to become scholarly writers: The importance of giving and receiving critiques. Studies in Higher Education, 25(1), pp.39-52.
Mullins, G. and Kiley, M., 2002. ‘It’s a PhD, not a Nobel Prize’: how experienced examiners assess research theses. Studies in higher education, 27(4), pp.369-386.
Gill, P. and Dolan, G., 2015. Originality and the PhD: what is it and how can it be demonstrated?. Nurse researcher, 22(6).
Sikes, P., 2017. And then he threatened to kill himself: nightmare viva stories as opportunities for learning. Qualitative Research Journal.
Winter, R., Griffiths, M. and Green, K., 2000. The’academic’qualities of practice: what are the criteria for a practice-based PhD?. Studies in higher education, 25(1), pp.25-37.
Foley, D., 2006. Indigenous Standpoint Theory. International Journal of the Humanities, 3(8).
Rachel Zhou, Y., Knoke, D. and Sakamoto, I., 2005. Rethinking silence in the classroom: Chinese students’ experiences of sharing indigenous knowledge. International Journal of Inclusive Education, 9(3), pp.287-311.
Johnson, C.M., Myers, C.B., Ward, K., Sanyal, N. and Hollist, D., 2017. American Indian/Alaska Native graduate students: Fostering Indigenous perspectives in STEM. Journal of American Indian Education, 56(3), pp.34-58.
I loved the readings and the podcast for this session.
The prompts took a moment for me to relate to; as I think that a critical stance to technology is at the core of my course. Yet, I use this example of me using “the digital” in a non-banking way (cf. Freire’s banking model on education).
In my smaller course, my students are tasked with procuring their own reading material for class according to parameters I set out. (Peer reviewed, in HCI, on the topic of…..).
The students come to class having read different articles and (obviously) with different backgrounds and perspectives. Through having read different texts, the students are empowered in their knowledge that they (and only they) are able to contribute a specific and new piece of knowledge to the class.
The students need to find themselves in a position of confidence and a space of trust in themselves to do that.
I achieve this by beginning the course with a class on Haraway and the Cyborg manifesto. This text is explicitly teaching the reader to be assertive and have agency with their teaching and understanding and their voice.
I think this is a type of using “the digital” as a resource in teaching that undermines the concept of “baking the student” (the student as empty vessel). It forces the student to be an agent, rater than an empty canvas.
How could you apply the resources to your own teaching practice?
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Visit the Religion, Belief and Faith identities UAL website and answer the questions above.
How could you apply the resources to your own teaching practice?
The resource is a valuable conglomerate of various experiences documenting faith and frictions that arise when it comes to life within the academic institution.
Separates faith and normative expectation; it makes a valuable distinction of white Christian experiences of faith within academia and Muslim female, intersectional experiences; how both are subject to faith-based hurdles in access and participation: yet both also must be appreciated within wider socio-political contexts.
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
In the past I have designed course syllabi on postcolonial Tunisia in the context of UG cultural geographical institution (Lancaster Environment Centre).
Past work, considered feminist perspectives of Western educated students’ perspectives on the veil.
Through conversation and art the CL and me as facilitator managed to deconstruct and reconstruct the relationship and imaginaries about the veil as a religious garment.
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Postcolonial Tunisia Course Handbook, Written by myself.
Fiction and art in the classroom. (References below)
Propositional Artefact Walker (References below)
Choose a minimum of 3 headings from the ‘Religion in Britain: Challenges for Higher Education.’ Stimulus paper (Modood & Calhoun, 2015) The PDF can be found on Moodle. Discuss two things you learnt from the text and one question/ provocation you have about the text.
How could you apply the resources to your own teaching practice?
Extremely useful in deconstructing British Identify and unpack the paradoxes of secularism, governance, theocracy, monarchy, and national narratives.
Unique position of faith, Anglicanism, and social role of churches in British everyday culture, citizenship and provision of infrastructure and social net.
In the rural sphere, church and parish community may be the sole sole source of social net. As nonchristian one may either become institutionally excluded from the village social life, or one must participate in faith-based activities that contravene one’s own religiosity.
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
My students are alerted to unpack the existing colonial heritage that shapes todays knowledge production; colonial ways of existence and how it shapes knowledge today; museums, universities, and research practice. Epistemologies and premises of dualism in knowing.
Unpacking the implicit and significant role of Christian undertones to British academia and society will be a useful theme to explicitly expose my students to.
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
I conducted Field course to the Wellcome trust and therein we took a look at narratives of medical history. The students were tasked to identify the Christian narratives of salvation, benefice, charity, etc- “, the conflation of Church, Christianity and medical provision. “, and the Christian ancestry of the university as an institution.
Through Foucauldian discourse analysis the students were able to identify the frictions such framings possess in excluding non Christian-Western-Eurocentric narratives of human-ness.
Listen to the Kwame Anthony Appiah Reith lecture on Creed.
How could you apply the resources to your own teaching practice?
The lecture is a wonderful and articulate declination of the ongoing transformation of religious practice as enacted life, rather than enshrined-immobile tradition.
In the same way that nationhood, tradition, or myth are constructed and co-produced; faith and scripture too are not immobile throughout time, but alive and enacted.
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
This document (or case studies on this) could add value to class readings on the topic of cultural construction and sociality of the past in contemporary practice and imaginaries of the future.
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
Case studies that echo similar observations that are commonplace within my discipline are the untanglement of Scottish inventions of nationhood and the kilt; its linkage to Indian weaving and export trade interests,
German national identity; (Forests, language and narratives of Germanic identity in the backdrop of Christianisation and Linguistic fraction; – and later the strategic persecution of religious and ethnic minorities).
German Identity and Judaism;
German national identity and faith (Protestantism and the contested meaning of Luther).
Read the terms of reference from SoN around Faith and choose an article to reflect on. Please consider the context of the article and respond to the questions above.
How could you apply the resources to your own teaching practice?
I am blessed with the partial perspective. I am by virtue of who I am and my biography bestowed with a number of marginal identity factors. However, I am keenly aware that in matters of faith, religion and spirituality I am atheist; yet due to my background in anthropology; I am intrigued by the lives of those who are; and I am using cultural practices from my ancestry and past communities to keep in touch with my heritage; yet I describe these as transgenerational cultural encounters, rather than spiritual or religious experiences in the common sense.
How could you integrate the research/work your students do on this subject into your teaching/professional practice?
I am offering my students the full remit to explore any topic they wish in their artistic and research practice. I think in that context, it is important to let the students take the lead on sovereignty decide the path of their study journey.
It is my scope to provide them with the intellectual toolbox to turn their explorations into a format that meets the frameworks of artistic rigour and productive –inquisitive creativity.
Can you cite examples? You will share your thoughts within your groups and comment and share further resources you use in your own context.
I wish to explore the SoN resources further.
Additional publications that are relevant to this topic I wish to consult are Barlow, C. and Awan, I., 2016. “You need to be sorted out with a knife”: the attempted online silencing of women and people of Muslim faith within academia. Social Media+ Society, 2(4), p.2056305116678896.
Sabri, Duna, Christopher Rowland, Jonathan Wyatt, Francesca Stavrakopoulou, Sarita Cargas, and Helenann Hartley. “Faith in academia: Integrating students’ faith stance into conceptions of their intellectual development.” Teaching in Higher Education 13, no. 1 (2008): 43-54.
I find this assignment hard to deal with. I am certifiably mad, and thus have tacit experiences with academic ableism; yet the format and layout of the assignment do not enable me from putting my background forward in a manner that is conducive to meeting the assessment criteria.
Precluded from the opportunity to safely bring my past experiences and knowledge forward, I am instead following a firmly structured framework.
I was the last speaker in a long chain of presenters. I was tired (just before me was a presentation that I expected to relate to excellently, yet instead my brain was completely unable to process any information).
Hence, despite limited time and a hard time-frame (I was the last speaker) – I chose to prompt the attendees to start with a short movement exercise. They were invited to open their window, and maybe shake their limbs for a moment. “Only 20 minutes to go, we can do this!”. One participant even did a small yoga exercise on screen, which impressed me deeply. Their comfort and enjoyment of acknowledging their body was what I had anticipated my audience would be comfortable with. For this reason my prompt was to “open their windows” which entails a movement aspect that, I assumed, everybody would be comfortable with. My presentation was an abbreviated version of the OB1 class. My slides were ready, and I used a brief video-game extract to introduce the key idea “object oriented ontologies” to my colleagues. The video was subtitled (as are all my class videos) and it was a nice opener (I was told later). All slides followed UAL guidelines and my colleagues complemented me on these. (Quote: The slides could not be faulted.) I included a preamble which I called “housekeeping”. Housekeeping here refers to good practices of being a “considered host” when giving a class. It is my responsibility that my students (or “guests”) feel safe and comfortable when they are in my class. I want to insure safe and honest learning environments. I declared that I will (on slide 19) make mention of a nuclear bomb and that I invite everybody who (quote) “currently hasn’t got the emotional space, or doesn’t want to make emotional space for this topic, ……
they are invited to turn their camera off, leave the room and have a coffee or tea instead.
I will still be here in 20 minutes once my presentation is over, and I want them to make their own informed decision if they consent to engage with my presentation”. My slides were shared via link in chat and I offered to be approachable by anyone, should they be so inclined to want to take this conversation further.
—- MOVE: Open windows. Acknowledging our body. Overall I found this peer review and observation extremely useful, and much more engaging, interesting than the lectures in the sessions before. Unlike the lectures, which were modulated not at the right tone for me, the observation and active listening and critiquing were occasionally very challenging. There were certainly aspects that I didn’t like in some of the presentations, and some practices that I follow which were not executed by my colleagues around me. This sparked me to engage into a fairly nuanced process of active reflection. On one hand I try to appreciate another teacher’s work on its own merits (i.e. trying to minimize my own biases and preconceptions) –
Are you familiar with the work by Erin Manning? It changed me, it changed my practice and it continues to change my life. I want to begin with a quote from her paper:
In “Body/Power” Foucault writes: “One needs to study what kind of body the current society needs.” While the university is certainly not the only site of power/knowledge, I turn to the university for this account of “what kind of body the current society needs” because it is a site of contestation where the exception often reigns in the name of alternative pedagogies and practices, a site where many of us, myself included, imagine other ways of working and sometimes are even able to activate them. I turn to the university because there is a troubling asymmetry at the heart of teaching and learning practices, on the one hand creating a path for new ways of thinking and making while on the other imposing forms of knowledge that do violence to the bodies they purport to address. I turn to the university because there is of necessity a discontinuity between the individual and collective practices of experimentation it houses and the neoliberalism that undergirds it. I turn to the university because it has been a site of resistance and a site where new orientations toward study have been born: black studies, queer socialities, postcolonialism, disability studies. And I turn to the university because most days I am not at all certain that the site for these explorations and activations of power/knowledge is actually capable of the kind of complex work necessary for the decolonization of knowledge, at least not as long as the centrality of the (white) (neurotypical) human as purveyor and guarantor of experience reigns supreme.
Manning, E., 2018. Me lo dijo un pajarito: Neurodiversity, black life, and the University as we know it. Social Text, 36(3), pp.1-24.
Erin Mannings work takes place of the intersection of STS, pedagogy and intersectionality and mad studies. Despite not being a scholar “on the digital” Manning is a scholar of knowledge, knowledge-power and “the body”. Respecting embodiment and the learner’s body and the teacher’s body in encounters-of-learning and learning-encounters, is a key issue I feel strongly about.
In this sense I recently watched an interesting and challenging video on the topic of “modal learning and learning styles” i.e. the common belief that some of us are visual learners, auditive learners, kinetic learners or … etc. There seems to be little empirical evidence of these modes of learnign are more than pedagogical myths.
Further research though (and this finally leads me to this topic of embodyiment and experiential learning) indicates that “great teachers” are facilitating multimodal learning in their sessions that activate multisensory and synchronised messages across a number of media. They show, they tell, they facilitate exeriences and make use of intellectual and emotional modes of knowledge-mobilisiation.
Below I will unpack the quote by Manning, which I posted above.
In “Body/Power” Foucault writes: “One needs to study what kind of body the current society needs.”
Bodies know stuff and bodies are at the centre of creation, externalisation and reception of knowledge. Yet, in the context of designing and thinking about pedagogies, the visceral material body, of either – the student/learner and the teacher – remain overlooked; remain taken for granted. Remain mute and are docided into overhearing.
While the university is certainly not the only site of power/knowledge, I turn to the university for this account of “what kind of body the current society needs” because it is a site of contestation where the exception often reigns in the name of alternative pedagogies and practices, a site where many of us, myself included, imagine other ways of working and sometimes are even able to activate them.
What does it say about our society then, and us and The University if this site at the forefront of knowledge is consistently failing the students, its teachers and the learning. Knowing about knowing is the matter of STS; hence I think that these discissions of knowledge-power are fundamentally at the heart and part-and-parcel of STSing.
Dissecting and retelling the story of the academy through the lens of the body; of subaltern bodies and bodies subaltern … leads us inevitable to instances of friciton and subjugation of knowledges.
Bodies not only “know”; “following the body leads to new knowing”.
And some bodies know more about fricitons than others.
That’s sad; that’s a fact; that’s a state that we should not accept; tolerate or leave unchallenged.
I turn to the university because there is a troubling asymmetry at the heart of teaching and learning practices, on the one hand creating a path for new ways of thinking and making while on the other imposing forms of knowledge that do violence to the bodies they purport to address.
Amen.
I turn to the university because there is of necessity a discontinuity between the individual and collective practices of experimentation it houses and the neoliberalism that undergirds it.
The increasing neoliberalisation of the academy is a catalyst of these undesirable new tendancies; but it is also a distraction from any realistic goals we can seek to achieve as a university, as an institute, as individual lecturers on a specific course.
Yes, fine, let’s take down capitalism- but until capitalism has ended; let’s improve the conditions of teaching and learning hilst our colleagues vanquish Mark Zuckerberg, Empire and borders.
I turn to the university because it has been a site of resistance and a site where new orientations toward study have been born: black studies, queer socialities, postcolonialism, disability studies.
If my legacy is the catalisation of more of those conditions of transformation, I am happy. It is what I am trying to achieve in my UALONLINE project; it is what I am pusuing by studing and teaching critical theory.
Criticality in this sense is not about critique it is about care, critical care. Intensive care. The kind of care that prevents death and preserves life. Critical thinking at the inception of technology saves lives. Not metaphorically; but literatlly.
And I turn to the university because most days I am not at all certain that the site for these explorations and activations of power/knowledge is actually capable of the kind of complex work necessary for the decolonization of knowledge, at least not as long as the centrality of the (white) (neurotypical) human as purveyor and guarantor of experience reigns supreme.
I close this blog post with a page from my own doctoral work.